Their destination is the royal palace in the Lost City of Atlantic City: a tacky and glittering metropolis where “Livin’ La Vida Loca” plays on a constant loop as you indulge your every desire. Since they can’t drive, they get some help from a defective robot named Otto (voiced by an underused Awkwafina, who has a meatier role this week in Disney’s glorious “ Raya and the Last Dragon”). So SpongeBob and Patrick set off on a road trip to rescue their mollusk mate from the clutches of the conceited king. In time, you, too, will be deeply saddened by the absence of Gary as it becomes increasingly obvious that he’s the best part of the movie. Krabs ( Clancy Brown), has something to do with the disappearance. Naturally, the diminutive, villainous Plankton (Mr. Seriously, you will find yourself saying: “AThe vain King Poseidon ( Matt Berry) has run out of face cream, and needs the mucus that snails like Gary provide to maintain his immaculate complexion. By his side is his big-eyed best friend, Gary the snail (which Kenny also voices in charming gurgles and groans), who’s as loyal as he is adorable. Just don’t expect anything groundbreaking-although this is the first of these films to be produced entirely through CGI, so at least there’s a visual slickness that’s novel.Īs always, SpongeBob is enjoying a blissful existence in the underwater world of Bikini Bottom, beginning each new day by cheerily greeting his pal, Patrick the starfish ( Bill Fagerbakke), to the annoyance of the cranky Squidward ( Rodger Bumpass).
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And there are a few celebrity cameos aimed more at grown-ups’ amusement. This latest film, written and directed by “SpongeBob” veteran Tim Hill, feels especially thin, as it’s actually a launching pad for “Kamp Koral: SpongeBob’s Under Years.” The animated series-featuring a “Muppet Babies” version of SpongeBob and his pals meeting for the first time in their youth-just happens to begin airing on Paramount+ the same day as this movie in a bit of streaming synergy.Īgain, if you’re a harried parent seeking some mindless happiness for your children and a little “me” time while you’re stuck at home, this is a totally suitable choice for everyone involved. Stretched out to 90 minutes in “Sponge on the Run,” the pacing lags, the goofiness sags, and you discover over time that there’s not much holding these antics together.
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These quick bursts of entertainment, with their eccentric characters, surreal energy and silly wordplay, are perfect in bite-size bits.
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Movies then come to streamers about four months after that, meaning a seventh-month gap between them first coming to cinemas and being released on a streaming service.But much of what’s made the “SpongeBob SquarePants” TV series such a joy over the past 20-plus years is its zippiness.
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Studios like Disney usually give their movies a cinematic window of 90 days, which is then followed by a DVD and PVOD release. Nickelodeon executive vice president Ramsey Naito said in a statement: "We're happy to give kids and families a much-deserved lift in any way we can, and the PVOD release of the new SpongeBob theatrical and putting all seasons of the TV series on CBS All Access are two of the best ways I can think of to get immersed in the optimism and joy that this terrific character represents."Īs both Scoob! and Trolls World Tour cost $19.99 to rent, The Spongebob Movie is expected to be available at the same price point.Īs for when the movie will move from Amazon et al to CBS All Access, it may depend on how the company sees its PVOD release. 'The SpongeBob Movie: Sponge on the Run' is no longer coming to cinemas Paramount